CIRCA Projects, The Stephenson Works, Newcastle upon Tyne, NE1 3PE29 Nov 2012

Space Release

Space Release

Space Release takes the attributes of site which contrast to the gallery to create discourse around the value and function of this alternative within exhibition-making - looking at the role of site within production and display. Principally based within the Stephenson Works building in Newcastle upon Tyne 'Space Release' will utilise this site (the first purpose-built locomotive factory in the world, positioned within a regeneration site) as a departure point to explore space as a formative moment.

Further reading +

Artist: Project: Space Release Location: CIRCA Projects, The Stephenson Works, Newcastle upon Tyne, NE1 3PE


Image Music Text gallery, Unit 2/210 Cambridge Heath Road London E2 9NQ UK29 Nov 2012

Mark Peter Wright: 30 Minutes of Listening

Mark Peter Wright: 30 Minutes of Listening

Mark Peter Wright draws inspiration from South Gare, a 2.5 mile stretch of reclaimed land and breakwater at the mouth of the river Tees in Redcar and Cleveland, to examine how we listen to and perceive places. Review by Yvette Greslé.

Further reading +

Artist: Project: Mark Peter Wright: 30 Minutes of Listening Location: Image Music Text gallery, Unit 2/210 Cambridge Heath Road London E2 9NQ UK


SWG3, Gallery, Studio, Glasgow27 Nov 2012

Laura Aldridge & Travess Smalley: Folklore Contemporain

Laura Aldridge & Travess Smalley: Folklore Contemporain

For a significant number of years now, contemporary artists have been inspired by legends, popular beliefs, customs, traditions of different cultures; the way to appropriate them and create new myths and new craft.

Further reading +

Artist: Project: Laura Aldridge & Travess Smalley: Folklore Contemporain Location: SWG3, Gallery, Studio, Glasgow



KALIMANRAWLINS, 9 Ellis Street, South Yarra, Victoria 3141 Australia27 Nov 2012

Michelle Ussher: Two Eyeballs on the Run-Looking for a New Head to House. Part One.

Michelle Ussher: Two Eyeballs on the Run-Looking for a New Head to House. Part One.

In Michelle Ussher’s new series of paintings, formal abstraction is composed as a layering of moments, a layering which allows the first gesture underneath to return within the final mark, to return and yet at the same time to recede...

Further reading +

Artist: Project: Michelle Ussher: Two Eyeballs on the Run-Looking for a New Head to House. Part One. Location: KALIMANRAWLINS, 9 Ellis Street, South Yarra, Victoria 3141 Australia


London26 Nov 2012

Edition: Willie Doherty, Derry, 1985

Edition: Willie Doherty, Derry, 1985

Edition available - produced on the occasion of the exhibition Photo/text/85/92 at Matt's Gallery

Further reading +

Artist: Project: Edition: Willie Doherty, Derry, 1985 Location: London


SFMOMA, 151 Third Street (between Mission + Howard), San Fransisco , California 9410326 Nov 2012

Six Lines of Flight: Shifting Geographies in Contemporary Art

Six Lines of Flight: Shifting Geographies in Contemporary Art

This international group exhibition convenes artists from six cities around the globe that have become burgeoning artistic centers: Beirut, Lebanon; Cali, Colombia; Cluj, Romania; Ho Chi Minh City, Vietnam; San Francisco, United States; and Tangier, Morocco. All of these places have active art communities that extend beyond their own regions to become international places of exchange.

Further reading +

Artist: Project: Six Lines of Flight: Shifting Geographies in Contemporary Art Location: SFMOMA, 151 Third Street (between Mission + Howard), San Fransisco , California 94103


KOMPLOT, 295 Avenue Van Volxemlaan B-1190 Brussels 25 Nov 2012

Bat Sheva Ross: Telling a Mind Stop Being a Mind

Bat Sheva Ross: Telling a Mind Stop Being a Mind

Monotonously controlled, in an attempt to push out every irregularity, two different ‘inner’ voices are taking turns in counting from hundred till one. The countdown ends and opens up a hypnotically calm but thorough, albeit mute, interrogation between the two...

Further reading +

Artist: Project: Bat Sheva Ross: Telling a Mind Stop Being a Mind Location: KOMPLOT, 295 Avenue Van Volxemlaan B-1190 Brussels


Yvon Lambert, 108 rue Vieille-du-Temple, 75003 Paris 24 Nov 2012

Loris Greaud: The Unplayed Notes

Loris Greaud: The Unplayed Notes



Further reading +

Artist: Project: Loris Greaud: The Unplayed Notes Location: Yvon Lambert, 108 rue Vieille-du-Temple, 75003 Paris


Artists Space : Exhibitions 38 Greene Street, 3rd Floor, New York, NY 1001322 Nov 2012

Bernadette Corporation: 2000 Wasted Years

Bernadette Corporation: 2000 Wasted Years

2000 Wasted Years is the first retrospective by Bernadette Corporation. The exhibition recasts the works authored by the group since their inception in the early ‘90s. Review by Nickolas Calabrese

Further reading +

Artist: Project: Bernadette Corporation: 2000 Wasted Years Location: Artists Space : Exhibitions 38 Greene Street, 3rd Floor, New York, NY 10013


Jerwood Visual Arts, 171 Union Street, Bankside, London SE1 0LN21 Nov 2012

Now I Gotta Reason

Now I Gotta Reason

In 1969, as part of his ‘Useful Art Manifesto’, Argentinian artist Eduardo Costa described the term ‘useful art’ as art that should have a direct social utility and claimed that the artworks he “should attack the myth of the uselessness of the arts and make a modest contribution to improving the conditions of urban life”. Here, Costa echoes the theories of 19th century art critic John Ruskin, advocating the importance of the social value of art.

Further reading +

Artist: Project: Now I Gotta Reason Location: Jerwood Visual Arts, 171 Union Street, Bankside, London SE1 0LN


Unit 2, BJ House 10 — 14 Hollybush Gardens London E2 9QP21 Nov 2012

Johanna Billing: I'm Gonna Live Anyhow Until I Die

Johanna Billing: I'm Gonna Live Anyhow Until I Die

‘I’m Gonna Live Anyhow Until I Die’ (2012) is a new short film by Johanna Billing. Co-commissioned by the Fondazione Sandretto Re Rebaudengo in Turin and the MAC in Belfast to mark the 150th anniversary of the unification of Italy, it focuses on the individual within representations of changing societies, and is currently on show at Hollybush Gardens. George Vasey reviews.

Further reading +

Artist: Project: Johanna Billing: I'm Gonna Live Anyhow Until I Die Location: Unit 2, BJ House 10 — 14 Hollybush Gardens London E2 9QP


Zabludowicz Collection 176 Prince of Wales Road London NW5 3PT20 Nov 2012

Matthew Darbyshire: T Rooms

Matthew Darbyshire: T Rooms

Following on from his ambitious solo exhibition at Tramway in Glasgow (January–March 2012) the London iteration of T Rooms extends the artist’s inquiry into sculpture, social critique, urban architecture and design. Review by Emily Burns.

Further reading +

Artist: Project: Matthew Darbyshire: T Rooms Location: Zabludowicz Collection 176 Prince of Wales Road London NW5 3PT


The New Art Gallery Walsall, Gallery Square, Walsall, WS2 8LG19 Nov 2012

Harminder Judge: In this strange house

Harminder Judge: In this strange house

Harminder Judge creates sculpture, digital work and live performances. His influences are vast and varied and include religious iconography and occultism, Indian culture and popular Western culture. Review by Harun Morrison

Further reading +

Artist: Project: Harminder Judge: In this strange house Location: The New Art Gallery Walsall, Gallery Square, Walsall, WS2 8LG


Kunsthal Charlottenborg Nyhavn 2 1051 Copenhagen K Denmark18 Nov 2012

Joachim Koester

Joachim Koester

Charlottenborg is proud to present a solo exhibition by Joachim Koester, one of the most significant Danish artists of his generation. The exhibition is the artist’s largest and most comprehensive project to date in his home country, and is a survey of his works from 2005 to 2012. The project features film, photography and installation, including many pieces that explore forgotten histories and altered states, and is part of Charlottenborg’s contribution to the Copenhagen Art Festival.

Further reading +

Artist: Project: Joachim Koester Location: Kunsthal Charlottenborg Nyhavn 2 1051 Copenhagen K Denmark



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